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Kevin Kerney might just be the best
cop currently working the mean streets of
mystery fiction. As deputy chief of the
New Mexico State Police, he is not tortured
by the doubts, angst, alcoholism, or mixed
motives that seem to overwhelm many of his
fictional colleagues. His methods are rarely
flashy or excessively macho, and he treats
other cops of all ranks with a minimum of
attitude. Author Michael McGarrity, who
worked for Santa Fe's sheriff's department
before retiring to write, has managed to
make Kerney human without loading him with
excess baggage.
As
we've come to realize in three previous
books--Mexican
Hat, Serpent
Gate, and Tularosa--Kerney
works as a police officer to make the money
he needs to buy a cattle ranch like the
one he grew up on. In Hermit's Peak,
that dream comes closer to reality when
a woman painter leaves Kerney a large portion
of her own property on a mesa northeast
of Santa Fe. McGarrity describes this land
with the keen simplicity of natural poetry.
Reality (in the form of a huge inheritance
tax bill) darkens the picture. But the discovery
of a very rare cactus plant and the unexpected
arrival of Sara Brannon (the career army
officer with whom Kerney had a romance in
an earlier book) let in a few rays of sunlight.
Meanwhile, Kerney and a tough local cop
have to deal with a rape and murder, plus
enough everyday crimes to keep them seriously
busy without busting the boundaries of believability.
--Dick Adler
From
Kirkus Reviews
The day figured to be just about perfect
for Kevin Kerney, at last firmly ensconced
as chief deputy of the New Mexico State
Police. There, he is checking out his windfall6,400
acres of prime high-country ranch land left
to him by a family friend. It's spring,
the north New Mexican mountains are breathtaking,
life is sweet, and then he leans out the
pickup's window to see the dog. Well, not
the dog so much as the sneaker in the pup's
mouth, plus its mate produced minutes later.
Because, instinctive cop that Kerney is,
he senses at once that his perfect day is
about to darken. It doesn't take him very
long to locate the corpse mutilated and
dismemberedof a young Mexican woman, dead
for about a year. How did she get there?
Who hated her enough to treat her so cruelly?
The answers turn out to be as heartbreaking
as they are grim, and when he has them all,
he finds himself facing the cops classic
dilemma: the law points one way, justice
another. And on top of that, Kerney's in
love, which, for a bachelor as confirmed
as they come, results in dilemmas no less
excruciating. Brisk pacing, meticulous plotting,
and characters to root for: the fourth (Serpent
Gate, 1998, etc.) and best in a series that
was never less than professional and is
now approaching distinguished. -- Copyright
©1999, Kirkus Associates, LP. All rights
reserved.
From
Booklist
, April 15, 1999
The first three Kevin Kerney novels drew
much of their strength from the way author
McGarrity uses his New Mexico setting to
meld western and mystery genres. That mythic
frame is still part of the mix in the series'
latest installment, but the focus this time
is more on procedural detail and the emotional
burden of being a cop. The action begins
with cowboy manqueKerney in northern New
Mexico, where he has inherited prime ranch
land. Along with the land comes a dead body.
The search for the identity of both the
victim and the killer draws Kerney, chief
deputy of the New Mexico State Police, into
contact with the local cops, especially
Lieutenant Gabe Gonzales, whose investigation
reveals a very personal connection to the
crime. Also present is Major Sara Brannon,
Kerney's love interest from Tularosa
(1996), returned from duty in Korea
and every bit as uncertain as Kevin about
where their relationship is heading. The
Kerney series has become the class of the
post-Hillerman New Mexico stable by creating
characters who are equally at home on the
mythic range and in the contemporary world.
If the latter is more prominent this time--the
agony of Gabe Gonzales, a good cop caught
in a personal tragedy, screams modern world
with all the force of an NYPD Blue
episode--the contrast between Old West myth
and New World reality remains a potent force,
as McGarrity reminds us that the rugged
individualists in today's Southwest need
a little help getting through the night.
Bill Ott Copyright© 1999,
American Library Association. All rights
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